Have you ever loved someone so deeply that you lost yourself in the process? This unspoken question haunts every frame of Lino Brocka’s 'Bona.'

In 15 Ways My Dad Almost Died, Sura Mallouh crafts an intimate, far-reaching exploration of survival, memory, and the unexpected ways humour can bridge generations.

Forcing us to reflect upon our own relationship with our own circumstances, 'Bita Joon' is exceedingly powerful and endlessly vast.

Brisk and sprinkled with a generous measure of sharp humour, 'Ben and Suzanne, A Reunion in Four Parts' leaves audiences with a definite sting. 

Takes the well-worn conventions of horror, turns them on their head, and delivers an experience that’s as chaotic as it is clever.

'Wicked' doesn’t always take off, but when it does, it really is defying gravity. 

It’s always a brilliant experience when a film succeeds in portraying queer characters as complete humans with a deep-rooted authenticity.

An effective and entertaining direction for the series, 'Interior Chinatown' is unable to make up for a thin central storyline.

Infuses family drama with elements of psychological thriller, effectively giving us a thought-provoking tale about what it takes to love and forgive. 

As a portrait of life lived under quiet duress, 'Nikah' leaves an indelible impression.