Mei-Juin Chen chooses to float in tepid middle ground that’s too tame for its own good.

A cinematic meditation that avoids straying too far into the experimental or essayistic.

Jang Jae-hyun’s 'Exhuma' unearths more than a haunted grave—it digs into the roots of Korean history and the uneasy truce between superstition and reality.

Jun Li’s Queerpanorama turns its lens on the very beauty of gay hook-up culture, asking: is a connection less honest if you lay bare your...

While the film has its moments, its uneven execution makes it difficult to fully embrace it.

'Can I Get A Witness?' has an instantly intriguing premise, but it fails to fulfill its potential as a fun bit of speculative fiction.

Far from his strongest work, but any amount of Bong Joon Ho is still a big win for cinema.

A wild and hilarious ride rooted in authenticity and a love of cinema.

The strength of 'The Last of the Sea Women' is in its ability to hold space for contradictions.

'Superboys of Malegaon' embodies a curious circularity that connects two real-life phenomena separated by a great deal of time and space.